Rotary

I use this for the down chorus section of a HARDY song called "Boots". I usually add a little verb and delay from other units but this is it. I like how transparent it is. Doesn't feel colored to me. I like that.

Heavy Chorus

I used this for the breakdown section of the HARDY song "QUIT". This modulation translates really well live and I love the little movement it gives you with high gain. *I add tape delay & verb from another unit in addition for this part.

Vibrato 8th Note

I love my vibratos all different. This can go indie or add some verb and create a nice bed to go play in. I'd use something like this for a hook.

Buried Tape Delay

This is a great way to make a picking part sound bigger in the mix without getting in the way. Adjust Mix to taste.

Toy Amp

I use this for the HARDY song REDNECKER on the verse. I love how drastic of a sound it is from your real amp. Gives you big dynamic push on the chorus.

Tape Slapback

I play this on the intro to the HARDY song, "He went to Jared". You can also use it on a slide solo.

Tape Delay 8th Note

I played this on an old HARDY song called, "Boyfriend". I've always loved how with the proper use of delay you can make such a simple picking pattern feel so much bigger.

Dual Modulation Delay

This is a delay that works very well in any kind of church environment. Good mix level and enough movement that gives you that nice gallop.

ModEchoVerb

I love the color this gives off. You could use this for anything ambient. Clean baritone Riffs. It makes me think of NIN.

Digital Solo

This is a great digital delay for high gain that supports the part without getting in the way.

Reverse Delay

There's a million ways to use this. I approached this one from an 8th-note perspective for a repetitive part.

Heavy Mod Vintage Delay

This is an Ode to Mute Math. Play around with it. Lots of different ways you could use this. Adjust Mod Intensity to taste.

Spring Trem

This is just a great effect to add when you need to make a part a little more interesting.

Plate Verb

I love using this to make a clean Strat or Tele sound glorious.

Big Dark Hall

This is great for Swells, Moody parts and taking up a lot of space.

Dynaverb

This is a perfect verb for all things COLDPLAY.

Droney

I used this with Tony Anderson. It's a great way to add parts that feel like they're far away and add a different tone to the bed of reverb already happening.

Ambient Control

This is my favorite reverb I made with Tony Anderson. If I could call it the Tony Anderson I would but then we would have copyright issues. Anyways. This sound has worked in so many environments and it's incredibly versatile. Adjust mix and size to taste.